excerpt from RICH WIFE
The story is always some variation of this:
The woman was a writer’s muse
The woman was an artist’s model
She was also his domestic servant
She managed his career capably
(She was an artist in her own right)
She was his lover, or his mistress, or his wife, or
She was a financial dependent the artist had sex with
She has no children
She has 8 children
She has a husband who died
She is a charwoman
She is a barmaid
She makes hats
The artist fell in love with her when she was 10
The artist fell in love with her when she was 12
The artist fell in love with her when she was 14, with ribbons still hanging down her back
The artist was disgusted by her “person”
Upon first meeting her, the art critic wrote “she gave me her hand, as a good dog gives its paw”
She died in a nursing home at the age of 27
She died in an insane asylum
She “received electric shock treatments, during which she broke several bones after falling off the operating table”
He found her “much deteriorated”
Her likeness slicks calendars and postcards and living room prints
In paint an exaggerated form of ideal beauty
Circe Ophelia Guinevere Lilith
She never recovered
*
I was born into a time when women were almost liberated
I was born into a time
We put chemicals on our hair to make it curl
Chemicals on our hair to make it straight
With metal clamps or tongs we made it crimp, or roll, or flat
Imagine a doll that has a person inside it
Imagine a human who wakes curled in the head of a doll
I open her eyelids like this
Like this I move her arm
Hippie doll Glamour doll Slutty doll Retro doll Barbie doll Jem doll Skater doll Grunge doll Shops at The Gap Is a Wholesome Ideal doll Going to a Good College doll Top of Her Class doll Caught Smoking Cigarettes in the Parking Lot doll Uses Cuss Words doll Ruined doll Used doll Seductively Corrupted doll
In the case JESPERSEN v. HARRAH’S OPERATING COMPANY
Darlene Jespersen testified
She did not wear makeup on or off the job and said that “wearing it would conflict with her self-image.” She found the makeup requirement offensive and saw it as further evidence that Harrah’s “‘sells’ and exploits its women employees.” She “felt very degraded and very demeaned,” claiming that the makeup requirement “prohibited [her] from doing [her] job” because “[i]t affected [her] self-dignity” and “took away [her] credibility as an individual and as a person.”
The heading of the Harvard Law Review article reads
TITLE VII — GENDER DISCRIMINATION — NINTH CIRCUIT HOLDS THAT WOMEN CAN BE FIRED FOR REFUSING TO WEAR MAKEUP.
The case was decided April 14, 2006
The dawn of the 21st century
I was born into a time
Imagine a doll that has a person inside it
I dress the doll thusly
If my doll is very pretty
If my doll pleases
What does a doll create?
A doll waits patiently for accolades & accomplishments
A doll a delusion an invisible accomplishment
How to be more gentle more genteel
A doll proffers her hand when introduced to an accomplished man
He squeezes the tips of her fingers, oddly
Or he refuses to relinquish her hand until she introduces herself properly
To bear the skin of a doll is to wear an inferior type of costume
Its power is diaphanous, permeable, wavering, temporary
It is a power that turns and collapses
A doll is a stupid metaphor
A woman cannot climb from the skin of a doll
“I felt very degraded and demeaned”
“It affected my self-dignity”
*
In these paintings the women have thick strong bodies, like a column
Their skin is like an inanimate material: marble, bronze, jet
Her hair, a river of fire
Her hair, a cloud of smoke
Her face barely emerges from the surface of a dewy green pond
Enchantress, seductress, witch, wife
Green velvet, cream silk, crimson flowers
Paintings of women with no women inside them
*
Circe turns Odysseus’s men into pigs
Circe with power inside her dispenses with the rage born of impotence
Takes up the mantle of the rage of revenge
Circe pouring a green bowl of poison
Circe circled by lions who used to be men
The rich wife pours a dish of liquid green rage into the waters of
The rich wife daubs up seepages of rage
A green rage seethes
“A queen” announces the Pre-Raphaelite painter upon spotting a new model “I have found a queen”
The queen wields her beauty like a chrysanthemum just beginning to wilt
The woman who was a queen proffers now a wilted flower
The rich wife closes down her mind
Daubs away the remains of her own green thoughts
The rich wife folds the children’s clothing changes the baby’s diaper
Nods to the invisible women who are scouring the countertop’s cool black stone
A melodrama of rage washes away with water
“We accept the reality of the world with which we’re presented”
The rich wife wants to protect the women who are now ghosts
The rich wife wants to protect the women who
Humiliation seethes
Pressed flat by the economy humiliation seethes
The men’s accomplished paintings shimmer from postcards and gallery walls
The women’s less accomplished paintings are displayed in special shows
(The galleries echo with the women’s missing works)
(The masterpieces they never made)
(With techniques they were never trained in)
(Perfected with time they never had)