Home Erosion, Acrylic paint, painted paper collage and water-based medium on paper, handpressed monotype collage on brown paper, foam board, rope, fish hooks, grommets and nails, 96” x 70”, 2022.

Tawczynski’s thrilling, sculptural collage-cum-installations often read as paintings— albeit, paintings which insert themselves into the physical, material space of the body. The human body, and bodies much larger than ours.

Demeter’s Gaze, Acrylic paint, painted paper collage, and water-based medium on paper, foam board, grommets, and nails, 96” x 70”, 2022
Enter the Climaximum, Paper collage using printed photos of the artist’s paintings, galaxy temperature maps, orbiting pathways and the Big Bang Theory model. 14” x 11”, 2023.
Mothership, Acrylic paint, plastic foil stars on yupo paper. Oar: Foam bord wrapped in paper collage print made with India ink, 100” x 68”, 2021.

Her ambitious treatment of our pithy three dimensions offers a strange gaze at a faraway place, but brought nearby, as if by magic (although not one of wands, unless you count her brush, and shears).

Stars Don’t Burn Forever, Oil paint on wood panel, 14” x 11”, 2021.
End of the Line, Acrylic paint, painted paper collage and water-based mediums on paper, hand-pressed monotype collage on brown paper, rope, foam board, grommets and nails, 96” x 62”, 2022.

Symbol-ridden cosmos.

Tidal Shift, Paper collage using printed photos of the artist’s paintings, photo of studio walls and floor, galaxy temperature maps, map of Orleans, MA and Nauset Beach, on paper, 14” x 11”, 2022.
And All the Things That Came With It, Oil paint on wood panel, 14” x 11”, 2021.

“My work has grown in a lot of different directions from small sculpture to landscape painting, printmaking and collage. These days I’m making large paper-based works that are painted, cut up and collaged together, and installed with various material on the walls and floor.”

– Jessica Tawczynski, from Interview with Canvas Rebel

Deep Harvest, (detail), Acrylic paint on paper, Gyotaku fish prints (Red Snapper), tampon applicator, hand-made cotton rope, yarn, vinyl, painted paper collage, grommets and nails, 87” x 48”, 2023.
I Made A Good Home Once, Oil paint on wood panel, 14” x 11”, 2021.

Viewers may see a map, reflected in watery surface, being sucked through the thin neck of a klein bottle. Is it a quest, or a call? A portrait of a place, or an ætheric entity?

The Great Wide Open, Paper Collage using printed photos of the Artist's paintings, printed diagram of the Big Bang Theory, Map of Nickerson State Park in Brewster, MA, on paper, 14” x 11", 2022
Suneater (inspiration for this issue’s title, (Right side view) Acrylic paint and painted paper collage on paper. Wood, monotype on paper, trail marking tape, fish hook, embroidery thread, rope, grommets and nails, 96” x 72”, 2022.
Burnout, Acrylic paint and colored pencil on paper with painted paper collage, bungee cords, paracord rope, embroidery thread, fish hooks, monotype paper collage, grommets and nails. 2022.

Figurative, landscape, abstract and astronomical. All at once.

My Eyes were filled with Dust, Oil paint on wood panel, 14” x 11”, 2021.

Jessica Tawczynski

from the Art Editor

When I first encountered Jessica’s work in Brooklyn in early 2020, vases and geometric, totemic compositions glistened on the walls and tables of of her Bushwick studio. A small selection of these bold, symbolic works can be seen on our pages this issue, alongside her thrilling sculptural collage-cum-installations, which often read as paintings— albeit, paintings which insert themselves into the physical, material space of the body. The human body, and bodies much larger than ours.

Based in Brooklyn, Jessica Tawczynski is a multidisciplinary artist whose work explores diverse themes such as mythology, the climate crisis, the intimacy and nostalgia of the sea and seafaring, the enormity of the universe, and feminine identity. Using paint, collage, found materials, cartography, and her own unique printmaking processes, Tawczynski creates energetic, bodily portals and symbol- ridden cosmos which can read as figurative, landscape, abstract and astronomical all at once, without sacrificing their specificity. As Jacqueline Yu1 put it, they “transport viewers to a sublime reality.”

Her work often incorporates nautical and extra-atmospheric imagery and textures, which despite their upright view can feel very disorienting, like having vertigo, looking into a watery reflection of stars and swirling astral bodies — viewers may see a map, reflected in watery surface, being sucked through the thin neck of a klein bottle. Is it a quest, a call? A portrait of a place, an ætheric entity? Due in part to the compositions and careful color and texture palettes, the viewer nonetheless feels compass-ready, somewhat bewildered but given enough sructure and landmarks to orient by. We recognize the words, but must chew on their meanings. Tawczynski’s ambitious treatment of our pithy three dimensions offers a strange gaze at a faraway place, but brought nearby, as if by magic (although not one of wands, unless you count her brush, and shears).

We are thrilled to share some of her diverse and prolific work in our pages. -Candace Jensen, Art Editor

1 https://www.laisunkeane.com/artists/90-jessica-tawczynski/

About the Artist

JESSICA TAWCZYNSKI received her MFA from the Massachusetts
College of Art and Design in 2017 and has since held residencies in
Brooklyn and Northern Iceland. She has exhibited widely in New York
and New England, as well as in Iceland at the Akureyri Art Museum and
Olafsfjordur Museum. Her art has been recognized by publications such
as Hyperallergic and Boston Art Review. www.jessicatawczynski.com

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